Toronto specializing in contemporary photography
 

Donald Weber: Interrogations

Donald Weber, Interrogations
Donald Weber, Interrogation X, 2010

FOR IMMEDIATE RELEASE

Interrogating the Interrogator: Donald Weber’s award-winning photography project Interrogations set for Canadian premiere in new exhibition

Toronto, ON, November 18, 2014Circuit Gallery is pleased to present an exhibition of work by Donald Weber from his award-winning project Interrogations, seen here for the first time in Canada.

The exhibition features twelve large-format photographs of suspected criminals being subjected to intense interrogation in an unnamed police station somewhere in Ukraine. This powerful series is accompanied by a selection of smaller photographs, which serve as a prologue.

Weber spent seven years traveling throughout Ukraine and Russia in an effort to understand and show something of life in the post-Soviet era. He observed how, since the collapse of Communism and its replacement with free-market Capitalism and an ostensible democracy, people are negotiating their places between ideologies, past and promised, and within “the system”.

Over the course of his research Weber became increasingly preoccupied with the subject of Power as exercised by the modern state, and how it deploys an all-encompassing theatre for its subjects. Amassed, his gritty photographs offer a complex portrait of people and a place, haunted by the past, and disillusioned with the present and its failure to provide a promised future.

Interrogations is the culmination of this seven-year project and a sharp distillation of subject and theme—one that seeks to go beyond the specificity of time, place, and individual, to reveal something more universal about the human situation.

Power is invisible, an abstract concept to which we are all subject. It can only be represented through its effects and consequences, its symbols and subjects (victims and perpetrators). Weber’s photographs from inside the interrogation room are simple stark images offering complex scenes.

Having gained the trust and permission of both the policeman and detainees to take photographs, Weber, as third party witness to the unfolding dramas (including the violent threats, aggression, and intimidation tactics of the policeman) focused his lens on the suspects, the men and women (and youth) who for whatever reason are brought in for questioning and find themselves in the room, subjected to interrogation.

Weber withholds context and specificity. We are not given information as to who they are, or the what, where, or why of their circumstance. Reduced to the confines of the room and to a succinct grammar of gesture and expression, Weber adeptly offers a series of types revealing a range of emotion and reaction: angry, defiant, pleading, ashamed, terrified, scheming, pliant, resigned.

We are unable to adjudicate guilt or innocence here. The implied indictment, it would seem, is not of the people portrayed nor is it limited to former Soviet states, but rather of the very idea of “the system” and the larger abuse of power and authority. The interrogator, rarely seen in the photographs, becomes the embodiment of Power itself in these emblematic dramas played out on the small stage, within the confines of the room.

This is a work which intelligently asks and invites all sorts of interesting and important questions about photography and the photographic situation as much as it does about the interrogations themselves.

Interrogations is the third exhibition for Circuit Gallery @ Prefix ICA, a new presentation partnership where the commercial gallery is sharing exhibition space with the highly respected Prefix ICA in the destination landmark arts building at 401 Richmond Street West in Toronto.

The exhibition is curated by Claire Sykes with a catalogue essay by Randy Innes.


BIOS
Donald Weber is a photographer fascinated by the subject of power (be it economic, political, or psychological) and how it deploys an all-encompassing theatre for its subjects. His Interrogations project and accompanying book (Schilt, 2011) has received notable recognition and accolades from World Press Photo, PDN, Aperture, and many others. It was preceded by Bastard Eden, Our Chernobyl (2008) which won the Photolucida Book Award. Weber’s numerous awards include a Guggenheim Fellowship, the Duke and Duchess of York Photography Prize, and two World Press Photo prizes. Most recently he was shortlisted for the 2014 Scotiabank Photography Award. He is a member of the acclaimed VII Photo agency and is represented by Circuit Gallery (Toronto).

Randy Innes holds a PhD in Visual and Cultural Studies from the University of Rochester. He has taught at several universities and he contributed to significant developments at the School of the Photographic Arts: Ottawa. His research interests include the history and theory of photography, museum theory and exhibition practice, and aesthetic theory. Randy held the History of Photography research fellowship at the National Gallery of Canada, and he has published research and exhibition essays on historical and contemporary photography, along with other topics. An article on Adam Broomberg and Oliver Chanarin appears in the special issue of the Canadian Art Review (RACAR) dedicated to War and Photography (Fall 2014).


Interrogations runs November 27 through December 20 at Circuit Gallery @ Prefix ICA, with an opening reception on Thursday, November 27, from 6 – 9 PM.


Interrogations

Donald Weber

November 27 – December 20, 2014

Reception: Thursday, November 27, 6-9 p.m.

Circuit Gallery @ Prefix ICA
401 Richmond Street West, Suite 124
Toronto, ON, M6R 2G5
[ Google Map ]

Gallery Hours:
Tuesday – Saturday, 11:00 a.m. – 5:00 p.m.

Donald Weber, Interrogation II, 2010
Donald Weber, Interrogation II, 2010

Donald Weber, Interrogations, 2010
Donald Weber, Interrogation VIII, 2010

Visit Circuit Gallery for more information and to see more images:
www.circuitgallery.com/exhibitions


ABOUT CIRCUIT GALLERY
Circuit Gallery specializes in contemporary photography. Established in 2008 by Susana Reisman and Claire Sykes, the Toronto based commercial gallery represents both emerging and established Canadian and international artists.

Web: www.circuitgallery.com

Email: info@circuitgallery.com
Phone: 647-477-2487

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Circuit Gallery now on ARTSY

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Robert Bean Exhibition Striking Type at ZKM

Robert Bean, Noiseless, 2006
Robert Bean, Noiseless, from the series ‘Writing Machines Archive’, 2006

ARTIST NEWS

Historic Typewriters in Changing Times. Writing Machines and Obsolescence

Gallery artist Robert Bean’s exhibition STRIKING TYPE opens at ZKM | Zentrum für Kunst Medialounge in Karlsruhe, Germany. The exhibition, curated by Hartmut Jörg, runs November 14, 2015 through January 6, 2015.

Historic Typewriters in Changing Times. Writing Machines and Obsolescence.
Photography by Robert Bean

The @-sign was first integrated into the keyboard in 1882, when North American typewriter manufacture, Caligraph, presented Model 2 in the USA. The occasion was a request by North American Association of Stenographers to integrate the @-sign into the keyboard as a commercial abbreviation. With the numerous historical items of Ludwigsburg expert, Lothar K. Friedrich, the exhibition Striking Types documents the evolution of mechanical writing machines from North America and Europe through to the emergence of the PC era. A parallel exhibition by Canadian photographic artist Robert Bean, takes an analytic look at the mechanics and type face of the typewriter that have now vanished from everyday life.